
The exterior and transitory interior spaces of ◳ KINGS GALLERY such as the bathroom and stairwells is festooned with ~250m of black bunting.


. . .
Simon Pericich’s hysterical, dark brand of makeshift art production is concerned with the terrifying awareness that humanity and its current actions may be irrationally selfish and detrimental. Traversing large-scale installation, video and image his dystopias are often nihilistically humorous, acting like an epitaph or harbinger for a future that seems out of the control of its population. Sometimes stemming from the autobiographical, sometimes detached trend consumer, Pericich’s observant and prolific practice forms transitory bonds between audience members that acts as an invitation or platform to participate.
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